
Sizing Up The Odyssey
A lot of the entertainment news these days is about Christopher Nolan’s new film, The Odyssey. It is making a bunch of money, and to be sure a decent chunk of that coin is due to folks driving far and wide to see the movie in the largest format possible. The Odyssey is the first film to be completely filmed in IMAX 70 mm. There has been some pushback on the elitist nature of making the movie that way, in that there are only a handful of theatres around the world who can actually show the movie in the format it was filmed in.
We are lucky to live all of five miles from a theatre who has the ability to show a movie in IMAX Digital. The next best thing if you are a movie buff. As my wife and I were taking that brief commute to the theatre at 7:30 Saturday morning to see The Odyssey, we pondered whether or not we really needed to see the movie with a sellout audience…since we wouldn’t be seeing the “true” film anyway. To be sure, we have seen (and heard) a lot of IMAX presentations in our time. And, we get it…it is a fabulous way to present a movie.
We ultimately decided to opt for a show in the standard definition format we all usually see movies in that had four…FOUR…people in the audience. Our goal was to really focus in on this film, and it surely would be a better atmosphere for that with the entire theatre basically to ourselves…as well as reclining seats. Ironically, the higher-priced IMAX theatre has rigid, fixed seating. That morning, it also had a packed house which would inevitably be distracting getting up and moving about during a movie near three hours long. I don’t mind seeing a movie with a crowd, but then there’s crowded. The decision to opt for a “lesser” viewing experience wasn’t as easy as which size popcorn to buy (large), but it was pretty close.
The result? For me, The Odyssey might…might be Christopher Nolan’s finest film of his distinguished career. The direction, acting, locations, sound, and editing are all masterclass. As you know from my prior post, I am not an awards guy. Still, I would be remiss in not reporting I would be shocked if the movie isn’t represented in each Oscar category it is eligible for.
A true cinematic gift, worthy of a view on any size screen.
Doomsday Is Almost Here, But Are MCU Fans Here For It
San Diego hosted the traditional Comic-Con this weekend at its Convention Center. The highlight for many attendees was when Marvel took over Hall H Saturday night for their panel and presentation with regard to their December release of the movie Avengers: Doomsday. Earlier in the week, Marvel released its latest trailer for the film, which was underwhelming to some of us.
The Marvel Cinematic Universe has had a rocky go of it since their Infinity Saga of films concluded with Avengers: Endgame in 2019. That film featured a ton of superheroes, all with quality film appearances on their resume before appearing in Endgame. The movie became the highest-grossing film of all-time at the time it was released.
I always felt that after Endgame, Marvel needed to introduce their next set of Avengers in a linear manner, with three or four of them in each film. No origin stories, just a series of movies allowing the audience to get to see them a couple of times each at minimum before even considering taking on the task of a mega-multi-hero movie like Endgame. The trailer that was released is stuffed with mostly new Avengers we’ve barely seen on screen…and some X-Men heroes we’ve never seen in the MCU.
So, with that sinking feeling of a rushed attempt to try and “save” Marvel, along came news Saturday night that at least some of the approximately 7,500 in attendance at the Marvel event felt the “extended footage” shown in Hall H should have been in the trailer released days earlier. It was better. It gave Marvel fans the gift of hope this will be a decent comic book hero experience. Certainly not The Odyssey…but after the journeys Marvel has taken us on recently I’d just settle for a good, entertaining time at the movies.
I’m such a huge fan of Marvel’s earlier films I will be there on Opening Day for Doomsday. As for my expectations, they remain low…but I’ve moved them up a little bit with some hopeful news. As for my hopes, they remain high.
Chilling With Hallmark
Sunday morning, we put on the Hallmark Channel to get some Christmas In July vibes going in the house. I swear the temperature went down a few degrees, a real gift in the sizzling summertime. When these Hallmark Christmas films arrive in July, it provides me a reset of sorts. I am less interested in marking the fact the year is half over. I am more interested in marking the fact the second half is getting started.
My “Holy Trinity” of Halloween, Thanksgiving, and Christmas is that much closer now, bringing with it cooler temperatures, colorful leaves, and the traditional food and drink of Fall and Winter.
The second half of a year re-energizes me, but I certainly know it isn’t for everyone. I just prefer cold to heat, and to be sure each one of these Holiday seasons have deep meaning to me for both happy and not-as-happy reasons…just like a Hallmark Christmas movie.
And below, five of their films I always carve out time for since they first aired, even if it isn’t always turkey-carving time just yet.
An Unexpected Christmas (2021, Starring Bethany Joy Lenz, Tyler Hynes)
Christmas By Starlight (2020, Starring Kimberly Sustad, Paul Campbell)
Crashing Through The Snow (2021, Starring Amy Acker, Brooke Nevin, Warren Christie)
Debbie Macomber’s Trading Christmas (2011, Starring Faith Ford, Tom Cavanagh, Gil Bellows)
The Nine Lives Of Christmas (2014, Starring Kimberly Sustad, Brandon Routh)
Picture Courtesy Universal Pictures


